Why the diaspora vote matters

I have relatives living and working outside Zimbabwe. Some have moved fairly recently after securing work permits. Others have been away from home for over a decade. They visit when they can, sending gifts and money when they can’t.

My family is by no means the exception. Exact figures are hard to come by, but estimates suggest that there are approximately four million Zimbabweans living and working outside the country. They live, work and study mainly in South Africa, the United Kingdom, the United States of America, Botswana and Australia. The departure of so many Zimbabweans – an exodus accelerated by economic deterioration – affected all aspects of society. Grandparents have watched their grandchildren grow up through Whatsapp massages and phone calls. Spouses have lived countries apart, grieving children and parents unable to repatriate the bodies of their loved ones. People in the diaspora have supported families, built homes, helped start businesses and provided much needed financial relief for the people they left at home.

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Introducing Mwana Wevhu: the podcast

When it comes to representation and the exploration of different narratives, the medium used is important. Photography works in a way that video can’t, and writing expresses things in a way that audio cannot emulate. Each of these media work together in presenting a comprehensive story. None is more important than the other.

Since 2015, when I first started this blog, I have used writing as my primary medium. I am a writer at heart, and I firmly believe in the power of words to convey meaning and communicate. However, I also believe that there are instances when writing alone is insufficient when it comes to telling a story. Through embracing different media, I intend to expand the scope of Mwana Wevhu, include more voices, and open up the possibilities of more collaborations.

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 Zimbabwean celebrities and social media 

It was a live Facebook video that sparked a frenzy of tweets, speculation and subsequently, a live interview between Ruvheneko Parirenyatwa and musician Stunner. The issue in question was certainly not something new to society: infidelity is a problem as old as time itself. What made it different this time was a combination of accessibility to social media and a heightened interest in the private lives of celebrities and public figures.

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Zimbabwe’s resilient creative industry

It’s a cool and rainy afternoon, not unusual for this time of year. The roads aren’t as packed as during the week, ensuring that the drive to my destination is short and pleasant. I’m glad for the cooler weather. It creates the perfect ambiance for my first Hustlers Market, hosted at Moto Republik.

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This is NOT normal

In a few short hours, bond notes are going to be on the streets. After months of citizens campaigning against their introduction. After pleas for the Reserve Bank and the government to try anything, ANYTHING, other than both notes. After the people of Zimbabwe have gone blue in the face saying that under no circumstances do we want bond notes. Yes, despite all this, our calls went unheeded. Bond notes shall reign supreme at our expense.

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Griffin the poet

Stephen Musengi has always been a knack for creativity. Starting from his primary school days, he’s explored his creative self through writing and through music. At first these two remained separate vehicles for Stephen, until he decided, at the age of 15, to try his hand at writing rap. His experiment proved to be a hit with his classmates, and since that first mini performance 8 years ago, Stephen’s grown to be an artist in his own right, using different media to channel his thoughts and hone his skills.

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