Harare, the so-called Sunshine City, is a place with many faces. Zimbabwe’s capital and largest city, Harare is a city full of poverty and ostentation, of inequality and privilege, of creativity and old thinking, new and broken industries, and the ever restless energy. Continue reading →
Stephen Musengi has always been a knack for creativity. Starting from his primary school days, he’s explored his creative self through writing and through music. At first these two remained separate vehicles for Stephen, until he decided, at the age of 15, to try his hand at writing rap. His experiment proved to be a hit with his classmates, and since that first mini performance 8 years ago, Stephen’s grown to be an artist in his own right, using different media to channel his thoughts and hone his skills.
Tinashe Marufu is a busy man. Trying to schedule an interview took days of negotiation and rescheduling, but when you’re starting your own sportswear brand, life gets very busy. He was in the middle of organising a braai for Road to Sparta, his fitness brand. Tinashe apologised profusely for having to reschedule the interview again, assuring me that once the event was over, he’d be free to sit for an interview. He ends the message with a personal invitation to the braai, promising that it will be a “lituation.”
We only manage to sit down for our interview two weeks later.
Nigel James has been living in South Africa since 2014, living on his own and working in Johannesburg. An independent and hardworking soul, Nigel relishes in the fast-paced life there, but he still follows events going on in Zimbabwe, with a particular investment in the resurgence of citizen movements. Despite this desire to contribute, Nigel hasn’t been back to Zimbabwe in three years. And there’s two very good reasons why. Continue reading →
Nefertari means “beautiful companion”. An Egyptian queen and wife of Ramses the Great, Nefertari is celebrated for her beauty and style. She’s a fitting inspiration for Tanyaradzwa Mushayi, who has always had a fascination with Kemet and ancient history. “I thought why not mix my Shona name with my obsession with Kemet.” So she married the two names together, and the Tanya Nefertari brand came into being.
His story begins in his childhood. Thanks to a father who instilled an appetite for books, Tapiwa Mugabe read voraciously from a young age. “(It was) mostly silly stories that barely made sense, and fantasy stories with heroes and animals,” says Tapiwa, laughing at the literature of his childhood. As much as tales that were once so fascinating seem trivial now, this early introduction fostered the wordsmith within Tapiwa, culminating in the publication of an anthology of poems in 2014. Continue reading →
Her room is immaculate, save for the papers and notebooks on the desk. The chime of a dream catcher on the wall is interrupted as Tara closes the window and sits down, cross-legged, on her bed. Some of her drawings are up on the cupboard, with a gemstone chart stuck on her door. Looking at it, I can identify some of the stones on her windowsill. A tinge of citrus lingers in the air, and Tara moves to tidy her bed, which she thinks is less than presentable.
“Art is the only thing I focused on.”
Tara the Artist
Tara Dena Jack is an artist. She always has been. From her days in nursery school, to high school at Hellenic, and now studying towards her Bachelor of Fine Art. That she was meant to be an artist, Tara never doubted that. “It (art) has always been a strong point, since I’m not really academic.” Tara points to the paintings stacked on top of her bookcase as proof. Even when she’s meant to be studying, her fingers itch for pen and paper and Tara draws instead. “Art is an outlet for me.”
As happy as she is with her degree and career path, art wasn’t always her first choice. For a time, music held sway. “I started music when I was 4 or 5, and I started playing the clarinet when I was 14, so in Form Two,” Tara says as she adjusts her legs to get more comfortable. “I also taught myself basic piano, so I can play a few tunes.” When it came down to choose between art and music, the decision boiled down to what gave Tara more creative license. Art it was.
“I can express myself more with art. Art is more liberating.”
What of her art itself? Tara scrolls through her Instagram and flips through her book of doodles as she talks about her style and what she’s created. I notice a lot of pencil work and inking, but not much in the form of paintings. A slight frown on her mouth as she readjusts her seating again and ties up her hair. “With painting, I don’t have a style that I’ve developed. With my pencil work, it’s more detailed. I like stuff like pencil work and pen work, stuff that you can control.” Her pencil work is stunning. Images of skulls and candles flit across her phone screen. Tara’s proud of her pieces, but she admits that her work is dark. “In O Level, I did kitsch, still-life, like ‘pretty pretty girly stuff’. But I find skulls more interesting. You think about a painting of a skull more than just a painting of a flower.”
“I always try incorporate a hidden meaning in my art.”
Tara fiddles with her hairbands as she talks about her plans for the future. She wants to get her art out there for people to see – something she hasn’t been doing. She thinks back to her art teachers in high school and how they’ve shaped her life so far, and continue to play a role in deciding her future. “Most of my role models are my art teachers. They see what I’m capable of, they’re more confident in my abilities than I am.” It was Greg Shaw, her high school art teacher and artist in Harare, who pushed Tara to develop her skills as an artist. It was her O Level art teacher who convinced Tara to study Fine Art at Rhodes University. Their influence has motivated Tara to pay it forward and become an art teacher and artist.
Tara the Zimbabwean
Would she work in Zimbabwe? Tara pauses, and takes a breath before responding. “I’m drawn to political stuff.” She tilts her head in inference. “Political stuff that I wouldn’t be able to do that. And I can’t do kitsch stuff either.” I ask her the question again. She looks up, frowns and responds, “I don’t know.”
To see more of Tara’s work, check out her Instagram.
All the art pieces in this story are property of Tara Dena Jack.